The company is called December Diamonds. You’re welcome.
Other highlights of their merchandise:
They also have some neat mermaid ornaments as well as some truly bizarre things like a leather daddy flamingo, but let’s be real, these mermen are the main appeal.
but for the girls they have some pretty cool options like
Laptop Liz
and I swear creamsicle is just like a friend of mine
and then this awesome one – queen for a day
and I am sooo getting this for my newly wed friends
and guys they do this tacky monstrosity of a dinosaur that I soo need to have
i honestly love the way the mermaids are designed like they’re wearing dresses instead of just “here have a tail and a bikini top” i have not seen that NEARLY often enough that is so cool
Her name was Dolly Wilde. She was the daughter of Oscar Wilde’s older brother, and was born about 3 months after he died. She worked as an ambulance driver during WW1 and spent most of her free time banging rich ladies. And guys. GUYS.
SHE
LOOKS
JUST LIKE
HER UNCLE
They both have That Face.
I’m so, so happy I know this now.
I would like everyone to know that she went around telling everyone that she was her uncle reincarnated. OK have a good day.
A M A Z I N G
Oh my God, Oscar Wilde and family had Resting Bitch Face.
😀
Resting Wilde Face
That “I’m a gay, Irish socialist in the Victorian era” face.
“Fuck everything about this world”
Side note: it wasn’t just the face. People who knew both Dolly and Oscar Wilde said that they sounded very similar and carried themselves in the same manor.
Both were pretty avid smokers. They both appreciated decadence. They both had very similar lovers.
Also, because history is insane, Dolly Wilde once hit on Zelda Fitzgerald, writer and wife of F. Scott Fitzgerald.
Dolly once said of herself, “I am more like Oscar than Oscar.” And honestly yea, I get why.
Oscar Wilde wasn’t done gaying up the place and came back as Dolly to gay up the ladies as well.
Victorian people: Oscar you must like ladies instead of men
Oscar: *Dies and comes back as Dolly flirting with all the ladies*
i just cant get over the lobster scene. like his friends are actively begging him, do not get into the lobster tank. please eddie. tom hardy you were in mad max fury road dont do this. and tom hardy looks at his friend like “i know i shouldnt do this. i shouldnt be getting into this lobster tank but i’m going to anyway. i’m already mostly inside. cant stop now. i’m sorry i dont want to be doing this either there’s just no other choice for me.” and then he takes a bg bite out of a live lobster that’s still in the shell and everything.
tom hardy doesn’t actually know he’s being possessed by an alien yet in the story. he’s just resigned himself to whatever fucking meltdown he seems to be having. he doesn’t even seem particularly surprised that things have gone this way for him. like ten minutes later he finds out his heart stopped working and hes just like “you asshole” and he throws his alien parasite against the wall like a water balloon. and then he just leaves and is immediately kidnapped. what a fucking wild ride tom hardy is on.
tom hardy’s actual superpower is being the exact same level of dysfunctional no matter what is happening in his life. so when everything’s going ok for him he self-destructs spectacularly, but when literally everything that can happen to a human being happens to him, he does, like, unrealistically well. climbing into a lobster tank and eating a live animal with large claws just like… “well, this is what’s happening to me today. i’m so sorry you have to watch this, man. anyway here goes, i’m going to bite into a living creature with my human mouth and then LOSE CONSCIOUSNESS”
this movie’s fucking killing me from the inside.
IT WASNT EVEN IN THE SCRIPT TOM HARDY IS JUST A FUCKING GENUINE MADMAN
watching my entire dash one by one tumble headfirst into being absolutely breathtakingly horny on main for Venom isn’t the fall mood I was expecting but it sure as fuck is the one we deserve
(or ”in this essay I will” joke gone very very wrong)
So, as most of us already noticed, Venom (2018) sure feels like a romantic comedy disguised as a superhero (well, antihero technically) movie. But is it truly? The short answer is yes, but I didn’t just spend my afternoon hunting proof to leave you with a short answer.
Now, I must note that Venom is really not the first superhero movie to mix another genre in. Off the top of my head, and perhaps most obvious, Ant-Man is mixing superheroics with a heist movie. Black Panther has the political thriller going. Thor: Ragnarok is a full blown cocktail, adding at least three more genres to the original one. So it shouldn’t come as a surprise that someone thought to mix in romcoms, and I for one am grateful that our first example of it has alien slime falling in love with a guy.
Because that’s what happened, despite certain people bending over backwards just to not acknowledge it. But I promised you proof, so let’s get to it.
How do you determine if something is a romantic comedy or not? “That’s just the vibe I got” is really not going to cut it in a debate. But what is a vibe if not our subconsciousness recognizing a certain pattern? In this case, the pattern was the plot structure. Not being a huge fan of romcoms in general, though, I wasn’t sure how to put it into words. Thankfully, I didn’t need to: with a bit of googling, I found out that most articles have referred to the same source when it came to the romcom plot structure: a book “Writing the Romantic Comedy” by Billy Mernit. According to him, all romantic comedies can be broken down into seven story beats. How many of those would you guess does Venom follow? Hint: it’s all of them.
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